Therese Mc Allister is an Irish artist who studied at the National College of Art and Design, Dublin from 1972-74. After NCAD, Therese worked as a fashion illustrator, and display artist in Dublin before deciding to move to Italy in the mid 1970's.

On her arrival in Florence, she met Pietro Annigoni (renowned for his portraits of the British Royal Family) who encouraged her to enroll at the Studio Simi. Here, under the tutelage of Nerina Simi, she studied the techniques of drawing and painting in the classical tradition.

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Jimmy Burns studied Art in London, Leeds and Dublin, lives in Sandyford and teaches in Ballinteer.

He is the author of "Art History and Appreciation" (two editions), and "Practical Art", both published by S & C S. Jimmy has illustrated many books and periodicals over the years, including Magill, In Dublin, U Magazine ... etc.

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Francis Kennedy works from a small studio at his home in Athenry, in the west of Ireland. "I own paint brushes and I use them".

He has a great love of music, having played in a number of bands in a former life and much of his work revolves around musicians and recitals.

Francis' art hangs on the walls of some famous names, like Sharon Corr, Brendan Shine, and the soprano Deirdre Shannon-Gilsenan, as well as in the offices of Coffey Construction and Galway Bay FM.

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RUA Conor Prize winner in 2002, Gary Devon was elected an associate member of RUA in 2006.

Born in Bangor in 1958, Gary has been painting professionally for twenty-five years, following his degree in Fine Art at Goldsmiths, London. As well as his personal work he has taken on various commissions including a painting of Kensington Palace for HRH The Prince of Wales and others for Dianna Rigg and Peter Alliss.

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Chara Nagle started painting at a young age and decided very early on that art was her life and passion. She was fascinated by observing people and portraying their everyday activities in her art.

Chara's paintings are big, bold, dramatic observations of everyday life. However there is also an element of intrigue and humour to Chara's paintings. She invites the viewer to come to their own conclusions as to what is happening in the painting. Chara engages the viewer further through her use of vibrant colours and realistic portrail of her subject matter.

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